Recording rain on a tin roof
Contact microphones pick up far more than you expect. Mounted on the gutter, they captured the low hum of the house as much as the rain itself. Next time: a wind shield and a longer cable.
A small journal about field recording, film photography and the places in between.
Contact microphones pick up far more than you expect. Mounted on the gutter, they captured the low hum of the house as much as the rain itself. Next time: a wind shield and a longer cable.
Shot at box speed, two of the three rolls came out with heavy color shifts. The third, overexposed by two stops, looked almost new. Notes on development times are in the about page.
Eleven hours, two recorders and one very patient conductor. The rhythm of the rails changes every time the track was replaced; you can hear the decades.